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IMPORTANT
REISSUE FROM FINLAND. VERSATILE MUSIC THAT RANGES FROM JAZZ, FUSION AND FOLK TO ROCK AND EVEN CLASSICAL. . .
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HEIKKI SARMANTO "EVERYTHING IS IT"
A LONG OVER DUE REISSUE OF THIS FINNISH BIG BAND MASTER PIECE. AVAILABLE ON CD, DIGITAL AND LIMITED EDITION LP. . . .
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EERO KOIVISTOINEN
"3RD VERSION"
IMPORTANT REISSUE THAT DIVES DEEP INTO THE HEART OF THE FINNISH JAZZ / FUSION SCENE DURING THE EARLY 1970'S. . .
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WARREN SMITH
"DRAGON DAVE..."
ORIGINALLY RELEASED ON CASSETTE IN
1988, THIS EPIC RECORDING IS A THEATRICAL TALE ABOUT THE COLD WAR THAT EMBRACES JAZZ, FREE JAZZ, BLUES, BIG BAND, SOUL
AND SPOKEN WORD.
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A REISSUE THAT CAPTURES THE ESSENCE OF EARLY 70s JAZZ FUSION. FOR
FANS OF EARLY 70'S HERBIE HANCOCK AND MILES DAVIS. . .
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CATALYST "THE COMPLETE RECORDINGS VOL. 1 & 2"
ONE OF THE BEST JAZZ FUSION GROUPS TO COME OUT OF THE
1970'S! FUNK, JAZZ, SPIRITUAL, SOUL AND THE AVANT GARDE BLEND IN A STEW OF SONIC PER-FECTION.
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HEIKKI SARMANTO "COUNTERBALANCE"
A 70s REISSUE THAT IS CONSIDERED ONE OF THE PINNACLES OF FINNISH JAZZ FUSION.
LOTS OF GREAT FENDER RHODES. .
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REISSUE FROM 1972, WITH BYARD LANCASTER, KHAN JAMAL,
MONNETTE SUDLER, OMAR HILL, DWIGHT JAMES, RASHID SALIM AND BILLY MILLS.
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BYARD LANCASTER
"PERSONAL TESTIMONY" (NOW AND THEN)
A
REISSUE OF STRONG MULTI-LAYERED SOLOS FROM JAZZ MUSICIAN BYARD LANCASTER. .. .
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A
REISSUE THAT SHOWCASES THE EXTRAORDINARY TALENTS OF JOE CHAMBERS IN A MID-70s JAZZ FUSION SETTING. LOTS OF INFECTIOUS
GROOVES. .
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AN AFRO JAZZ RECORDING LIKE NO OTHER.
A BLEND OF JAZZ, FUNK, AFRICAN FOLK AND PSYCHEDELIC VOCALS CHANNELED THROUGH THE AFRICAN BORN BIRIGWA. .
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BYARD LANCASTER "LIVE AT MACALESTER COLLEGE"
ORIGINALLY RELEASED ON BYARD LANCASTER'S
OWN LABEL, THIS COLLECTION OF LIVE RECORDINGS CAPTURES THE TRUE ESSENCE OF THE 1970s FREE JAZZ MOVEMENT.
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ONE OF THE GREAT UNKNOWN RECORDINGS TO COME
OUT OF BOSTON IN THE 70s. A POTENT MIXTURE OF JAZZ, SOUL JAZZ AND FUSION. .
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A
REISSUE FROM THE 70s THAT EXPLORES TWO SIDES OF JAZZ FUSION. ONE BEING FREE AND EXPERIMENTAL AND THE OTHER,
SOFTER AND MELODIC. . .
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